In these works, ruptures or breaks in the assumed function of space or site-specific installations, as well as those involving the allocation of content to employed forms, play a significant role.
Decoy documents the eponymous exhibition at Landesgalerie Linz in 2011 in which Grubinger presented large-scale sculptural works, all of which referenced the fishing—lures, mooring rings, a dock—and both subtly and explicitly engaged a vocabulary of the alluring. The catalogue includes an introduction by Martin Hochleitner and an essay by Carson Chan.
